Sony slog lut rec709 how to#
Sony slog lut rec709 manual#

Honestly I don’t want to shoot in SLOG because the correction and grading is over my head for now lol. Here’s the video I’m talking about - it’s in the very beginning of the video and he’s saying he shoots slog2 and just slaps a LUT on top to have the colors corrected and graded. If you are shooting SLOG to only throw a LUT on and call it done, you shouldn't be shooting in Log at all. SLOG will give you the most available dynamic range in your captured video, but without proper correction and grading you wont see it all. You could do the same in Premiere in Lumetri and then apply it to everything as a Master Clip Effect.Īlso, I just watched a video on real estate videography - the guy said that shooting in SLOG2 is a must for shooting interiors of homes with bright windows due to the huge dynamic range of the windows vs interior. But for that, I just go to DaVinci and make my own for every shoot (usually one for ever location). But remember that a LUT is a starting point at best unless this is a temp color.īut honestly, I wouldnt use it unless its just temp color for editing and you dont want to look at grey all day. There is an abundance of 'SLOG2 to _' LUTs online its almost a joke. You need to use the scopes, and some saturation.

Sony slog lut rec709 how to#

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Sony slog lut rec709 manual#

Phillip Reeve's beginner's guide to manual lenses on the A7Īstrophotography tutorials & reviews at The Lonely Speck New to the A6000 or other APS-C E-mount? Here are the first lenses you should buyīrian Smith's guide to lens adaptors for E-mount cameras Gary Friedman's excellent e-books on Sony cameras Lensrentals blog - tons of in-depth, trustworthy tests of Sony lenses Phillip Reeve's Comprehensive FE Lens Guide The Alpha Universe: Sony's Official Page for all things Alpha

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